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Bishop Robert Barron

Hunkering down with Benedict

Rod Dreher’s The Benedict Option: A Strategy for Christians in a Post-Christian Nation has certainly emerged as the most talked-about religious book of 2017. Within weeks of its publication, dozens of editorials, reviews, op-eds, and panel discussions were dedicated to it. Practically every friend and contact I have sent me something about the book and urged me to comment on it.

The very intensity of the interest in the text in one way proves Dreher’s central point, namely, that there is a widely-felt instinct that something has gone rather deeply wrong with the culture and that classical Christianity, at least in the West, is in a bit of a mess.

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Bishop Robert Barron

The Case for Christ and evangelization

The Case for Christ is a film adaptation of Lee Strobel’s best-selling book of the same name, one that has made an enormous splash in Evangelical circles and beyond. It is the story of a young, ambitious (and atheist) reporter for the Chicago Tribune, who fell into a psychological and spiritual crisis when his wife became a Christian.

The scenes involving Lee and his spouse, which play out over many months of their married life, struck me as poignant and believable — and I say this with some authority, having worked with a number of couples in a similar situation.

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Bishop Robert Barron

Jackie and the priest in conversation

Somehow I managed to miss the film Jackie during the Christmas season, but I watched it, twice, on recent long flights to and from the east coast.

Like many others, I was struck by its moody, more “European” style, the high quality of the acting, especially on the part of Natalie Portman, and its historical verisimilitude, but what particularly impressed (and surprised) me were the scenes between Mrs. Kennedy and a sympathetic priest.

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Bishop Robert Barron

Evangelizing through the good

Anyone even vaguely acquainted with my work knows that I advocate vigorous argument on behalf of religious truth. I have long called for a revival in what is classically known as apologetics, the defense of the claims of faith against skeptical opponents. And I have repeatedly weighed in against a dumbed-down Catholicism.

Also, I have, for many years, emphasized the importance of beauty in service of evangelization. The Sistine Chapel Ceiling, the Sainte Chapelle, Dante’s Divine Comedy, Bach’s St. Matthew’s Passion, T.S. Eliot’s Four Quartets, and the Cathedral of Chartres all have an extraordinary convincing power, in many ways surpassing that of formal arguments.

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Bishop Robert Barron

The Crown and society’s core values

The Netflix original series The Crown, which has to do with the last months of the reign of King George VI and the first years of the reign of his daughter, Queen Elizabeth II, is just the kind of program that Americans in particular seem naturally to love.

It features beautiful photography of palaces, processions, and formal receptions; and it provides a behind-the-scenes look at the ne plus ultra of the British aristocracy. Consider it Downton Abbey on steroids.

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Bishop Robert Barron

The unambiguous faith of the lay people

Spoiler Alert: This is the second part of Bishop Barron’s reflections on Martin Scorcese’s new film, Silence. The first part, which we published last week, is a summary of the plot in which Father Rodrigues, a Jesuit missionary in 17th-century Japan, apostatizes under severe psychological torture. What follows is Bishop Barron’s thoughts about the end of the movie.

In the wake of his apostasy, [Father Rodrigues] follows in the footsteps of Ferreira, becoming a ward of the state, a well-fed, well-provided for philosopher, regularly called upon to step on a Christian image and formally renounce his Christian faith.

He takes a Japanese name and a Japanese wife and lives out many long years in Japan before his death at the age of 64 and his burial in a Buddhist ceremony.

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Bishop Robert Barron

“Silence” and the seaside martyrs

Spoiler Alert: The following is the first half of Bishop Barron’s reflections on Martin Scorcese’s new film, Silence, in which he outlines the plot. In the second half, which we will publish next week, he discusses the ending of the film and adds his “dissenting” thoughts about it to the conversation among critics.

I have long been an ardent fan of Martin Scorsese’s films. Taxi Driver, Raging Bull, Goodfellas, The Aviator, Gangs of New York, The Last Waltz, Casino, etc. are among the defining movies of the last 40 years. And The Departed, Scorsese’s 2007 crime drama, was the subject matter of the first YouTube commentary that I ever did.

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Bishop Robert Barron

Go in haste! Be amazed! Treasure!

By now most of you are probably aware of the depressing statistics regarding the “nones,” that is to say, those in this country who claim no religious affiliation. The most recent survey showed that now fully one fourth of Americans belong to no religion at all — that’s approximately 80,000,000 people. And among those in the 18-29 age group, the percentage of nones goes up to 40!

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